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Heart of Darkness
Joseph Conrad

THE NOVEL

THE CHARACTERS

  • CHARLIE MARLOW

    Through the first two thirds of Heart of Darkness, our curiosity about Kurtz is raised to such a pitch that we may realize only afterward, in thinking about the novel, that the main character isn't Kurtz at all, but Marlow. We find out less about Kurtz than about his effect on Marlow's life. Heart of Darkness tells the story of Marlow's spiritual journey- a voyage of discovery and self-discovery.

    It seems safe to assume that Marlow is Conrad's stand-in. Marlow was born in England, not Poland, and he never gave up sailing to write; but otherwise the differences between the two men aren't striking. And we know that Heart of Darkness, especially in its first half, is heavily autobiographical.

    Marlow tends to keep his own counsel: he's always observing and judging, but his politeness covers up the harshness of his judgments and encourages others to speak their minds. The brickmaker and the manager both speak frankly to him because his mask of courtesy hides his contempt for them. (Later, when his experiences have so upset him that he's on the verge of a breakdown, Marlow does speak sarcastically to the manager, and he's never forgiven for it.)


    We don't learn much about Marlow's life before the Congo voyage, beyond the simple fact that he is an experienced sailor who has seen the world. But we do get to know Marlow quite well. He is a man of modesty and courage. We know about his modesty from his embarrassment at his aunt's high praises. And we see many examples of his courage, most notably during the attack on the steamer and at Kurtz's escape. At such times Marlow always keeps a cool head; but in telling the story he never emphasizes his own daring or heroism.

    Marlow is obviously an excellent sailor, devoted to his work; he enjoys remembering, and making us attentive to, the technical details and difficulties of getting an old steamboat up a shallow river. His fondness for work is at the very base of his system of values. Although you may not like work- nobody does, he admits- it's what keeps you sane, just as it keeps Marlow sane in the jungle. It provides a structure for your life, and if you concentrate on the details of your duties, you won't be tempted by the call of madness, the "darkness" of the unknown that surrounds us.

    Marlow is the moral grounding point of the novel, the only white man in the Congo who recognizes the evils of colonialism in Africa. The spectacle of death and enslavement there is overwhelming, so Marlow's responses (as he would probably argue) aren't extraordinarily moral, just normal, the only normal ones we see amid the demented greed of the traders. But Marlow is also the everyman of the novel, the basically decent and intelligent character who stands for all of us. The ugly truths he confronts are truths we all have to face. Marlow learns that he has to acknowledge his own heart of darkness, the call of the primitive in his own nature. (Conrad puts this symbolically when, late in the story, Marlow confuses the pounding of the savage drum with the beating of his own heart.) And this is the lesson he tries to impart to his listeners- and to us.

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© Copyright 1984 by Barron's Educational Series, Inc.
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