
Heart of Darkness
Joseph Conrad
A STEP BEYOND
TERM PAPER IDEAS
- Not only does Marlow survive an ordeal and live to tell
the tale, he also thinks his tale needs to be heard. He thus resembles several
similar narrators: Lemuel Gulliver of Gulliver's Travels by Jonathan Swift;
the title character in Samuel Taylor Coleridge's "The Rime of the Ancient
Mariner"; Ishmael in Herman Melville's Moby-Dick. Compare Marlow to
any of these figures, or to a similar narrator.
- Examine the theme of self-restraint, paying particular
attention to the contrast between the manager and Kurtz, and between the
cannibals and the pilgrims.
- The primary narrator says that to Marlow "the meaning
of an episode was not inside like a kernel but outside, enveloping the tale
which brought it out only as a glow brings out a haze"; and further,
"we were fated... to hear about one of Marlow's inconclusive experiences."
How well do these statements describe the story Marlow tells?
- Kurtz's savage mistress and his Intended are linked by
a gesture at the end of the novel. Explain what these two women stand for.
Be sure to consider both their positive and their negative aspects.
- Examine Conrad's use of light/dark and white/black symbolism.
Make sure you include instances where he reverses the expected associations,
as in the "whited sepulchre" of Brussels and the fog that's "more
blinding than the night."
- Analyze Conrad's use of the frame- the device that places
Marlow and his audience before us at the beginning, the end, and (a couple
of times) in the midst of the novel. What function does it serve? Disposing
of the frame would simplify the novel; do you think it would improve it?
- "And this also has been one of the dark places of
the earth." Before his main tale, Marlow speculates about what it would
have been like for a Roman sailing into the wilderness of England 1900 years
earlier. Relate this opening monologue to the rest of the novel.
- Throughout his tale Marlow treats the jungle as if it
were another character in his story: "The high stillness confronted
these two figures with its ominous patience, waiting for the passing away
of a fantastic invasion" (II, 1); "It looked at you with a vengeful
aspect" (II, 2). This technique of giving human characteristics to
something inhuman is called personification. Examine Conrad's personification
of the jungle. What effects does he achieve with it?
- Examine the attitude of the various characters toward
Kurtz: the chief accountant, the brickmaker, the manager, the Russian, the
Intended. Trace the way Marlow's initial conception of Kurtz changes into
ultimate knowledge.
- Explain why the choice between loyalty to Kurtz or to
the manager is "a choice of nightmares" for Marlow, and why he
chooses to be loyal to the more obviously evil of the two men.
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