 
 
 
 
 
  
   A STEP BEYONDHeart of Darkness
 Joseph Conrad
 
TERM PAPER IDEAS 
 
    
   
     Not only does Marlow survive an ordeal and live to tell 
      the tale, he also thinks his tale needs to be heard. He thus resembles several 
      similar narrators: Lemuel Gulliver of Gulliver's Travels by Jonathan Swift; 
      the title character in Samuel Taylor Coleridge's "The Rime of the Ancient 
      Mariner"; Ishmael in Herman Melville's Moby-Dick. Compare Marlow to 
      any of these figures, or to a similar narrator. 
 Examine the theme of self-restraint, paying particular 
      attention to the contrast between the manager and Kurtz, and between the 
      cannibals and the pilgrims. 
 The primary narrator says that to Marlow "the meaning 
      of an episode was not inside like a kernel but outside, enveloping the tale 
      which brought it out only as a glow brings out a haze"; and further, 
      "we were fated... to hear about one of Marlow's inconclusive experiences." 
      How well do these statements describe the story Marlow tells? 
 Kurtz's savage mistress and his Intended are linked by 
      a gesture at the end of the novel. Explain what these two women stand for. 
      Be sure to consider both their positive and their negative aspects. 
 Examine Conrad's use of light/dark and white/black symbolism. 
      Make sure you include instances where he reverses the expected associations, 
      as in the "whited sepulchre" of Brussels and the fog that's "more 
      blinding than the night." 
 Analyze Conrad's use of the frame- the device that places 
      Marlow and his audience before us at the beginning, the end, and (a couple 
      of times) in the midst of the novel. What function does it serve? Disposing 
      of the frame would simplify the novel; do you think it would improve it? 
      
 "And this also has been one of the dark places of 
      the earth." Before his main tale, Marlow speculates about what it would 
      have been like for a Roman sailing into the wilderness of England 1900 years 
      earlier. Relate this opening monologue to the rest of the novel. 
 Throughout his tale Marlow treats the jungle as if it 
      were another character in his story: "The high stillness confronted 
      these two figures with its ominous patience, waiting for the passing away 
      of a fantastic invasion" (II, 1); "It looked at you with a vengeful 
      aspect" (II, 2). This technique of giving human characteristics to 
      something inhuman is called personification. Examine Conrad's personification 
      of the jungle. What effects does he achieve with it? 
 Examine the attitude of the various characters toward 
      Kurtz: the chief accountant, the brickmaker, the manager, the Russian, the 
      Intended. Trace the way Marlow's initial conception of Kurtz changes into 
      ultimate knowledge. 
 Explain why the choice between loyalty to Kurtz or to 
      the manager is "a choice of nightmares" for Marlow, and why he 
      chooses to be loyal to the more obviously evil of the two men. 
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