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PinkMonkey.com Digital Library - PinkMonkey.com-Digital Library-Portrait of the Artist as a Young Man by James Joyce

ready the place of sacrifice in an empty temple, a levite of the Lord. Like a levite’s robe of plain linen the faded worn soutane draped the kneeling figure of one whom the canonicals or the bellbordered ephod would irk and trouble. His very body had waxed old in lowly service of the Lord-in tending the fire upon the altar, in bearing tidings secretly, in waiting upon worldlings, in striking swiftly when bidden-and yet had remained ungraced by aught of saintly or of prelatic beauty. Nay, his very soul had waxed old in that service without growing towards light and beauty or spreading abroad a sweet odour of her sanctity-a mortified will no more responsive to the thrill of its obedience than was to the thrill of love or combat his aging body, spare and sinewy, greyed with a silver-pointed down.

The dean rested back on his hunkers and watched the sticks catch. Stephen, to fill the silence, said:

-I am sure I could not light a fire.

-You are an artist, are you not, Mr Dedalus? said the dean, glancing up and blinking his pale eyes. The object of the artist is the creation of the beautiful. What the beautiful is is another question.

He rubbed his hands slowly and drily over the difficulty.

-Can you solve that question now? he asked.

-Aquinas, answered Stephen, says Pulcra sunt quae visa placent.

-This fire before us, said the dean, will be pleasing to the eye. Will it therefore be beautiful?

-In so far as it is apprehended by the sight, which I suppose means here esthetic intellection, it will be beautiful. But Aquinas also says Bonum est in quod tendit appetitus. In so far as it satisfies the animal craving for warmth fire is a good. In hell however it is an evil.

-Quite so, said the dean, you have certainly hit the nail on the head.

He rose nimbly and went towards the door, set it ajar and said:

-A draught is said to be a help in these matters.

As he came back to the hearth, limping slightly but with a brisk step, Stephen saw the silent soul of a jesuit look out at him from the pale loveless eyes. Like Ignatius he was lame but in his eyes burned no spark of Ignatius’ enthusiasm. Even the legendary craft of the company, a craft subtler and more secret than its fabled books of secret subtle wisdom, had not fired his soul with the energy of apostleship. It seemed as if he used the shifts and lore and cunning of the world, as bidden to do, for the greater glory of God, without joy in their handling or hatred of that in them which was evil but turning them, with a firm gesture of obedience, back upon themselves: and for all this silent service it seemed as if he loved not at all the master and little, if at all, the ends he served. Similiter atque senis baculus, he was, as the founder would have had him, like a staff in an old man’s hand, to be left in a corner, to be leaned on in the road at nightfall or in stress of weather, to lie with a lady’s nosegay on a garden seat, to be raised in menace.

The dean returned to the hearth and began to stroke his chin.

-When may we expect to have something from you on the esthetic question? he asked.


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PinkMonkey.com Digital Library - PinkMonkey.com-Digital Library-Portrait of the Artist as a Young Man by James Joyce



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