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PinkMonkey.com Digital Library - PinkMonkey.com-Digital Library-Portrait of the Artist as a Young Man by James Joyce

mild lustreless blue eyes which would look up suddenly from the task and gaze vaguely into the blue distance while the long swollen fingers ceased their rolling and grains and fibres of tobacco fell back into the pouch.

On the way home uncle Charles would often pay a visit to the chapel and, as the font was above Stephenís reach, the old man would dip his hand and then sprinkle the water briskly about Stephenís clothes and on the floor of the porch. While he prayed he knelt on his red handkerchief and read above his breath from a thumbblackened prayerbook wherein catchwords were printed at the foot of every page. Stephen knelt at his side respecting, though he did not share, his piety. He often wondered what his granduncle prayed for so seriously. Perhaps he prayed for the souls in purgatory or for the grace of a happy death or perhaps he prayed that God might send him back a part of the big fortune he had squandered in Cork.

On Sundays Stephen with his father and his granduncle took their constitutional. The old man was a nimble walker in spite of his corns and often ten or twelve miles of the road were covered. The little village of Stillorgan was the parting of the ways. Either they went to the left towards the Dublin mountains or along the Goatstown road and thence into Dundrum, coming home by Sandyford. Trudging along the road or standing in some grimy wayside publichouse his elders spoke constantly of the subjects nearer their hearts, of Irish politics, of Munster and of the legends of their own family, to all of which Stephen lent an avid ear. Words which he did not understand he said over and over to himself till he had learned them by heart: and through them he had glimpses of the real world about him. The hour when he too would take part in the life of that world seemed drawing near and in secret he began to make ready for the great part which he felt awaited him the nature of which he only dimly apprehended.

His evenings were his own; and he pored over a ragged translation of The Count of Monte Cristo. The figure of that dark avenger stood forth in his mind for whatever he had heard or divined in childhood of the strange and terrible. At night he built up on the parlour table an image of the wonderful island cave out of transfers and paper flowers and coloured tissue paper and strips of the silver and golden paper in which chocolate is wrapped. When he had broken up this scenery, weary of its tinsel, there would come to his mind the bright picture of Marseilles, of sunny trellisses and of Mercedes. Outside Blackrock, on the road that led to the mountains, stood a small whitewashed house in the garden of which grew many rosebushes: and in this house, he told himself, another Mercedes lived. Both on the outward and on the homeward journey he measured distance by this landmark: and in his imagination he lived through a long train of adventures, marvellous as those in the book itself, towards the close of which there appeared an image of himself, grown older and sadder, standing in a moonlit garden with Mercedes who had so many years before slighted his love, and with a sadly proud gesture of refusal, saying:

-Madam, I never eat muscatel grapes.

He became the ally of a boy named Aubrey Mills and founded with him a gang of adventurers in the avenue. Aubrey carried a whistle dangling from his buttonhole and a bicycle lamp attached to his belt while the others had short sticks thrust daggerwise through theirs. Stephen, who had read of Napoleonís plain style of dress, chose to remain unadorned and thereby heightened for himself the


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PinkMonkey.com Digital Library - PinkMonkey.com-Digital Library-Portrait of the Artist as a Young Man by James Joyce



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