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PinkMonkey.com Digital Library - PinkMonkey.com-Digital Library-Portrait of the Artist as a Young Man by James Joyce

espousal and come away, bidding her look forth, a spouse, from Amana and from the mountains of the leopards; and the soul seemed to answer with the same inaudible voice, surrendering herself: Inter ubera mea commorabitur.

This idea of surrender had a perilous attraction for his mind now that he felt his soul beset once again by the insistent voices of the flesh which began to murmur to him again during his prayers and meditations. It gave him an intense sense of power to know that he could by a single act of consent, in a moment of thought, undo all that he had done. He seemed to feel a flood slowly advancing towards his naked feet and to be waiting for the first faint timid noiseless wavelet to touch his fevered skin. Then, almost at the instant of that touch, almost at the verge of sinful consent, he found himself standing far away from the flood upon a dry shore, saved by a sudden act of the will or a sudden ejaculation: and, seeing the silver line of the flood far away and beginning again its slow advance towards his feet, a new thrill of power and satisfaction shook his soul to know that he had not yielded nor undone all.

When he had eluded the flood of temptation many times in this way he grew troubled and wondered whether the grace which he had refused to lose was not being filched from him little by little. The clear certitude of his own immunity grew dim and to it succeeded a vague fear that his soul had really fallen unawares. It was with difficulty that he won back his old consciousness of his state of grace by telling himself that he had prayed to God at every temptation and that the grace which he had prayed for must have been given to him inasmuch as God was obliged to give it. The very frequency and violence of temptations showed him at last the truth of what he had heard about the trials of the saints. Frequent and violent temptations were a proof that the citadel of the soul had not fallen and that the devil raged to make it fall.

Often when he had confessed his doubts and scruples, some momentary inattention at prayer, a movement of trivial anger in his soul or a subtle wilfulness in speech or act, he was bidden by his confessor to name some sin of his past life before absolution was given him. He named it with humility and shame and repented of it once more. It humiliated and shamed him to think that he would never be freed from it wholly, however holily he might live or whatever virtues or perfections he might attain. A restless feeling of guilt would always be present with him: he would confess and repent and be absolved, confess and repent again and be absolved again, fruitlessly. Perhaps that first hasty confession wrung from him by the fear of hell had not been good? Perhaps, concerned only for his imminent doom, he had not had sincere sorrow for his sin? But the surest sign that his confession had been good and that he had had sincere sorrow for his sin was, he knew, the amendment of his life.

-I have amended my life, have I not? he asked himself.

The director stood in the embrasure of the window, his back to the light, leaning an elbow on the brown crossblind and, as he spoke and smiled, slowly dangling and looping the cord of the other blind. Stephen stood before him, following for a moment with his eyes the waning of the long summer daylight above the roofs or the slow deft movements of the priestly fingers. The priestís face was in total shadow but the waning daylight from behind him touched the deeply grooved temples and the curves of the skull. Stephen followed also with his ears the accents and intervals of the priestís voice as he spoke gravely and cordially of indifferent themes, the


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PinkMonkey.com Digital Library - PinkMonkey.com-Digital Library-Portrait of the Artist as a Young Man by James Joyce



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