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PinkMonkey.com Digital Library-The Picture of Dorian Gray by Oscar Wilde


80

You are more fortunate than I am. I assure you, Dorian, that not
one of the women I have known would have done for me what
Sibyl Vane did for you. Ordinary women always console
themselves. Some of them do it by going in for sentimental colours.
Never trust a woman who wears mauve, whatever her age may be,
or a woman over thirty-five who is fond of pink ribbons. It always
means that they have a history. Others find a great consolation in
suddenly discovering the good qualities of their husbands. They
flaunt their conjugal felicity in one’s face, as if it were the most
fascinating of sins. Religion consoles some. Its mysteries have all
the charm of a flirtation, a woman once told me, and I can quite
understand it. Besides, nothing makes one so vain as being told
that one is a sinner. Conscience makes egotists of us all. Yes; there
is really no end to the consolations that women find in modern life.
Indeed, I have not mentioned the most important one.” “What is
that, Harry?” said the lad, listlessly.

“Oh, the obvious consolation. Taking some one else’s admirer
when one loses one’s own. In good society that always
whitewashes a woman. But really, Dorian, how different Sibyl
Vane must have been from all the women one meets! There is
something to me quite beautiful about her death. I am glad I am
living in a century when such wonders happen. They make one
believe in the reality of the things we all play with, such as
romance, passion, and love.” “I was terribly cruel to her. You
forget that.” “I am afraid that women appreciate cruelty,
downright cruelty, more than anything else. They have
wonderfully primitive instincts. We have emancipated them, but
they remain slaves looking for their masters, all the same. They
love being dominated. I am sure you were splendid. I have never
seen you really and absolutely angry, but I can fancy how
delightful you looked. And, after all, you said something to the me
the day before yesterday that seemed to me at the time to be
merely fanciful, but that I see now was absolutely true, and it holds
the key to everything.” “What was that, Harry?” “You said to me
that Sibyl Vane represented to you all the heroines of romance-that
she was Desdemona one night, and Ophelia the other; that if she
died as Juliet, she came to life as Imogen.” “She will never come to
life again now,” muttered the lad, burying his face in his hands.
“No, she will never come to life. She has played her last part. But
you must think of that lonely death in the tawdry dressing-room
simply as a strange lurid fragment from some Jacobean tragedy, as
a wonderful scene from Webster, or Ford, or Cyril Tourneur. The
girl never really lived, and so she has never really died. To you at
least she was always a dream, a phantom that flitted through
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